The entire world of movie distribution is just a tough place. After fighting and sweating to finish a video you're mentally and physically exhausted.
You only want to take a break and rest, but you can't because finishing a video is half the battle. It's time to enter the entire world of movie distribution.
Movie distribution is just a tough place for filmmakers new to the grind. It's hard to switch off the creative mind to manage the business side of selling movies.
What I've learned the hard way may be the movie distribution really starts with promoting and marketing a movie.
Social media is a cheap way to obtain the term out about your movie and create a killer viral buzz online.
It's cool to go the film festival route to really get your movie seen by viewers and potential film buyers, but over the years from speaking with other filmmakers there's a standard feeling that the film festival scene is too crowded now https://www.moviefn.com/.
U.K. filmmaker Wayne Daniells from LiarDice Films told me his last visit to The Cannes International Film Festival was a ruthless feeding frenzy.
There were a glut of movies and producers were fighting to obtain the interest of movie distributors.
All in all Wayne expressed that it was a waste of time and money pitching his film there. I've heard exactly the same opinion from other filmmakers which can be frustrated with the film festival scene and no further notice it as a great way to secure movie distribution.
I know like the direct route of contacting movie distributors to see if they're interested in being sent a screener. This is where it helps if you have already been promoting and marketing your movie online using social media marketing https://moviezz.info/.
Movie distributors are more interested in acquiring movies that curently have a powerful online presence.
I'm strictly speaking from the true independent movie perspective. Studio budget movies are an entirely different animal when it comes to the entire world of movie distribution.
In regards to movie distribution for an indie produced film just how it normally happens are independent producers and filmmakers take the chance making the movie without the guaranteed movie distribution deal in place.
They generally have to search it around to market it. That's been our experience so far. I've never created content with a video distribution deal set up https://dmovie.info/.
It's like writing a screenplay on spec, but you're working with a movie. Promoting and marketing a video through social media marketing is an absolute must.
Start early before you're movie is even finished. This way when you begin contacting movie distributors you're movie will already have more appeal because individuals are talking about it.
Movie distributors that appeal to releasing independent movies do almost no marketing for all of the titles they release.
If you're movie doesn't have any actors or celebrity names attached with it then it won't get marketed not in the standard insert in a video distributor catalog.
So after you do secure a video distribution deal you're already giving your movie a boost by promoting and marketing yourself.
My mind is all over the place today, so let me return to finding a video distribution deal. Last please. A great Miller Lite would help me focus right now.
That's far better now. You will find different ways to land a video distribution deal. You can spend the money doing the film festival route. Deals get struck all the time at film festivals.
But honestly there's a glut of film festivals. How many film festivals is way out of whack compared to the amount of movie distributors that release independent films.
Skipping the film festival circuit works for most independent movie producers that don't have name actors in their film or know their story won't interest a skill house crowd.
Hiring a video sales representative is an excellent call if you miss the film festival scene all together. A video sales representative or producer's rep has contacts with movie distributors to really get your movie screened.
Plus many of them can enable you to get into magazines like Indie Slate and MovieMaker to make your movie look more inviting to movie distributors.
They also watch your back when it comes to movie distribution agreements. When filmmakers look at movie distribution agreements it could be overwhelming.
There's lots of legalese "mumbo jumbo" inside made to lessen the amount of money you make from movie royalty payments or perhaps a straightforward buy-out of your movie.
Until you have experience reading movie distribution contracts it's easy to obtain taken advantage of. I'm in the habit know even if I've a films sales representative like "El Tigre" watching my back I still read all contracts completely.
You is going to be surprised at the hidden fees and costs some movie distributors try to obtain over on a filmmaker with in of most places, the contract definitions section.
My film sales representative and I once found an appartment fee of $50,000 for marketing costs in the definitions section.
Hiring an amusement attorney is another good move, but usually is too costly for a truly independent filmmaker. Plus from my own personal experience an amusement attorney is never as helpful as a video sales representative with securing a video distribution deal or getting you some press.
That's not necessarily the work an amusement attorney. They're great when it comes to negotiating your movie distribution contract. But most won't enable you to get a package such as a film sales rep. You will bring them in once you have a package on the table.
I'd two sharp entertainment lawyers that saved my ass from getting burned when it came to market a reality show I produced called "America's Wildest Bachelor Parties." They got me a maker friendly contract and got me paid on time each quarter. I'm glad I hired them.
If it's not in your allowance to hire a video sales representative or entertainment lawyer you can still secure meaningful movie distribution hustling hard yourself https://quickloanarena.com/.
Promoting and marketing your movie online is followed up by piecing together a clean and neat film package to send to movie distributors. Keep it simple with a DVD screener, one-sheet artwork, tight synopsis, tagline and very short bios for key cast or crew which have previous IMDB credits.
To obtain a set of potential movie distributors see what companies are releasing movies in exactly the same genre as yours. The Internet helps it be pretty no problem finding contact information nowadays.
Movie distribution companies normally have a contact page for film submissions. Follow the guidelines and mail off your film package. They obtain a flood of film submissions, so be patient if you don't hear back right away.
Movie distributors have certain times they are aggressively seeking films to fill their catalog and other times they've all they require for now. I've the buying months written down.
After they get your film package they'll Google your movie. That's where having been promoting and marketing your movie online really stands out. It takes significantly more than only having a web site or blog.
You need some press and backing from online film bloggers to make your movie standout in the eyes of movie distributors.
I dedicated a chapter about movie distribution in a guide on indie filmmaking I wrote. It will help you with an increase of detailed movie distribution information. Best wishes with marketing and selling your movie.